Related Paintings of unknow artist :. | Portrait of Madame de Genlis | Arab or Arabic people and life. Orientalism oil paintings 95 | Fruit set and playing cards | Oil painting portrait of Emil Belzer. The picture is being hosted by the Staatsarchiv Sigmaringen. | Saint George Slaying the Dragon |
Related Artists:
Felix Auvray
a French historical painter, was born at Cambrai in 1800. He was a pupil of Momal in Valenciennes, and afterwards of Gros in Paris. He exhibited in 1824, 'St. Louis a Prisoner,' and in 1827, 'Gautier de Châtillon defending St. Louis against the Saracens,' now in the Museum of Cambrai; 'St. Paul at Athens,' &c. He died in 1833, in his native city.
Alexander Adriaenssen
Flemish Baroque Era Painter, 1587-1661 Flemish painter. He was the son of the composer Emanuel Adriaenssen and brother to the painters Vincent Adriaenssen (1595-1675) and Niclaes Adriaenssen (1598-1648/9). In 1597 he was apprenticed to Artus van Laeck (d 1616) and in 1610 became a master in the painters' guild. In 1632 he took on Philips Milcx as apprentice, and in 1635 he painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new governor. Adriaenssen's many signed and often dated oil paintings on wood and canvas are all still-lifes, mainly of food on tables with copper- and tinware, glass and pottery (e.g. Still-life with Fish, 1660; Amsterdam, Rijksmus.). There are four paintings of vases of flowers, but vases of flowers, as well as single flowers on the table, also appear in other still-life combinations. Only two canvases are known in which he worked with figure painters: a garland of flowers around a painting of the Holy Family (Ghent, Paul Boterdaele priv. col.) by Simon de Vos and a porcelain bowl of fruit beside a Virgin and Child (ex-Gal. 'Den Tijd', Antwerp, 1982) attributed to a follower of Rubens. His compositions are graceful and balanced but somewhat stereotyped, and they are bathed in a soft chiaroscuro.
joris Hoefnagel
Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,